红花之歌1..

又名:火红的小花之歌 The Song of the Scarlet Flower The Flame of Life

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1919-04-14
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简介

“Sangen Om Den Eldröda Blomman” ( “Song Of The Scarlet Flower” ) was a recent and remarkable silent surprise for this Herr Von; the oeuvre is an excellent Herr Stiller silent film that this German count watched in a newly restored and tinted copy. It combines the well-known aesthetics, technical improvements and artistic merits for which the Nordic director was known and praised since those early silent times till today.  The film tells of the merry and carefree love life of young Olof ( Herr Lars Hanson ) a woodsman who during his search for true love, seduces many frauleins ( just like this German aristocrat… well, not exactly because the purpose of this Herr Von’s seduction of rich fräulein heiresses are their great fortunes… ). He will suffer disappointment and deception, all those problems that turn up in any loving relationship. Finally he will find responsibility and maturity, learning during his particular quest that his actions always have consequences in different degrees to the people around him. This Herr Von can describe “Sangen Om…” as a kind of coming of age film, the special introspective growth toward maturity of a free and easy youngster.  As this German count said before, the film displays Stiller’s characteristic artistic virtues. ; in the first part of the film, we can see elements of comedy, not exactly like the comedy of intrigues in other Stiller films, but humor of a more cheerful sort, highlighting the self-involvement of our hero. Olof ‘s frivolous flirtations with the different girls eventually turn romantic and then turn into drama. There is conflict in the troubled relationship between Olof and his father and later with the father of his beloved. The beautiful and wild natural landscapes of Norrland and northern Sweden lend the tale a certain power and is characteristic of Herr Stiller’s other silents where Nature emerges as an important character in the story. This is strongly reflected throughout the film but especially during the frantic scene wherein Olof descends into the troubled waters of a river, a beautiful metaphor for the hardships that our hero has to endure until he finds himself.  “Sangen Om Den Eldröda Blomman” is an excellent, beautiful film, a solid, technically perfect and intricate production of 1919 that demonstrates once again the importance of Herr Stiller for silent film history.

豆瓣短评

在国外,莫名想看剧情片,看到Greta Almroth,Arvid Dahlberg,约翰·埃克曼这个阵容本来还是有点小期待。结果,哎...很是失望,奇奇怪怪尴尴尬尬,剧情也一言难尽...虽然现在都在拍主旋律都在拍正剧,但也不能这种充数,演员和剧本还是硬功夫。什么时候我们也能拍出那种能够真正吸引人的剧呢?

题材大胆、现实立意深刻,抓住社会痛点,剧本扎实。其它在影视创方面的确很厉害,希望剧情片多来点这种影视剧,强烈安利大家这部《红花之歌》。

《红花之歌》可太精彩了。前部分就爆了,好爽。节奏很好,有反转感,不错。期待导演莫里兹·斯蒂勒后续给力点,多拍点这种片子。

莫里兹·斯蒂勒拍的的《红花之歌》,从剧情风格到配色配音我本人并不太喜欢,但不得不说,会抄也是一种本事,《红花之歌》至少比某些天马行空胡乱自创影楼装服饰满天飞的剧要好的多。

《红花之歌》的演员表演都很自然,剧情和人物也比较合理,没有太多的刻板印象,特别是在人物塑造上非常好,尤其是演员Greta Almroth,Arvid Dahlberg,约翰·埃克曼饰演的人物特别到位。

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